Set on both a reservation in Idaho and an estate in Northern England, The Wolf Border evokes an atmosphere of contained wilderness. Wildness with hard limits.
Protagonist Rachel Caine is summoned to Northern England by a wealthy Earl who requests her expertise on a spooky project: reintroducing wolves to the environment. While there, she also makes a (seemingly) rare visit to her elderly mother who is running out of time. Rachel initially refuses the Earl's offer of employment, but a series of unexpected circumstances leads her to reconsider and begin work on the wolf project.
Sarah Hall's novel captured my attention (and affection) in a similar manner as Barbara Kingsolver's "Flight Behavior." But where Kingsolver's diction is casual, colloquial, Hall's manner of speech is distinctively, properly British. The narrative voice is incredibly polished. Imagery is built to stand in incredible contrast, but yet collectively builds a theme of "border" - reservation, assisted living facility / hospice, rural estate, game preserve.
The protagonist also fits into this theme of fenced-in wildness. Intelligent and polished, exhibiting her own brand of reservedness, Rachel is no stranger to casual flirtation or alcohol-fueled liaisons. But even in her moments of apparent abandon, Rachel's awareness of her own control (intellectually, sexually, situationally) is ever-present.
I very much enjoyed this introduction to Hall's work, and will certainly seek out any new releases she sends out into the world.
*Thank you to TLC Book Tours and the publisher for providing me with an Advanced Reader's Copy.